I close my eyes and picture a boat making its way towards the mainland. Lit only by moonlight, a silhouette walks towards a post box and mails three letters, one by one. Then, the familiar tune of ABBA’s Gimme! Gimme! Gimme! (A Man After Midnight) starts to play, and the musical begins.
“Some things don’t change,” Milner says with a chuckle when asked whether his desire to prove people wrong was as strong as ever after his 40th birthday last month. “There’s people who are always going to doubt you but that’s always something that’s been at my forefront: to prove them wrong.”
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